VESSELBORN Original Music
Music by Guilherme Alexander Gagliardo de Freitas
Creative direction by Christopher Jaepheth Cuby
1:20 · Released October 10, 2026
Streaming release and physical edition coming soon.
Abyssal Harmony is slow, restrained and heavy, made to draw the listener inward. It holds a pull on Vessels that no authority has been able to explain.
Behind the music
Abyssal Harmony works as gravity rather than spectacle. Slow, restrained and heavy, it draws the listener inward and was made for introspection. It earns almost nothing, yet it is the most influential genre on the planet, shaping the people who go on to change systems rather than uphold them.
It also holds a pull on Vessels that no authority has been able to explain. Performances take place in darkness cut by beams through fog, and the performers never show their faces. They wear full costumes of what they imagine the Velcrith or Seraveth would look like in physical form, and the crowd comes hooded and masked, a congregation turned toward something none of them can name.
Read more in the Codex: Musical genres of Geba
VESSELBORN Original Music
Music by Juan Agustin Magariños
2:11
The theme for Geba, the imperial heartland, where Vaer'karesh forged the first empire and where civilization has been centered for six thousand years.
Geba is the origin continent and the smallest inhabited landmass on the planet. Vaer'karesh united the five nations that once divided it, Thaloryn, Garnath, Beithon, Varena and Therik, into the first empire, and for six thousand years everything has turned around it. The capital, Karesh, was founded by Empress Vaer'yinda on wilderness she purged as a gift to her father, and the imperial day still begins and ends when Izhara passes over the continent.
It is the most lawful place on Geba, at least on the surface. Thaloryn stands half in ruins, never rebuilt so the wars that forged the Empire are not forgotten, and it remains the center of art and ethics. Beneath relay coverage the Jerhit Syndicate has embedded itself in the legitimate economy, and imperial officials take syndicate varens to look away.
Read more in the Codex: Geba
VESSELBORN Original Music
Music by Juan Agustin Magariños
1:49
The theme for Jeyrha, the Green Jewel of the south and the one continent that joined the Empire without ever being conquered.
Jeyrha is the Green Jewel of the south. It joined the Empire during the Imperial Conquest without a battle, through the Haavu Cannon Systems designed by Xerik Haavu, so it was never conquered, its names were never replaced and its people were never culled. The Haavu rose with it to become the most prominent non-imperial family on the planet.
It leads the world in biological science and ecological engineering, and the academies of Reykhaal train elite bioengineers and artists side by side. The south catches the fixed light of Saethern, and fungal forests grow there that exist nowhere else outside Saethera. The entire relay network traces back to a Jeyrhan descendant, Architect Varenth Solarn.
Read more in the Codex: Jeyrha
VESSELBORN Original Music
Music by Guilherme Alexander Gagliardo de Freitas
2:18
The theme for Ngorrhal, the western continent of stratospheric peaks and mountain passes, home to the oldest relay infrastructure still working on the planet.
Ngorrhal is the western continent of stratospheric peaks and mountain passes. In the Early Dominion, War Chief Tharyn'Bregun allied with Prince Vaer'gidon to end the civil war between the passes, and when the two died together fighting Ukhaal Walkers, the bond between the Ngorrhali and the Empire became unbreakable. Northern Pass children were raised in the capital as the Emperor's bodyguards, and their greatest warriors became the Frost Sentinels.
Only about 150 million people remain on the continent, yet its mountains hold the largest and oldest working relay infrastructure on the planet, built higher and larger than anywhere else. The Ngorrhali still return for their rite of passage: cross the ocean, kill a Greater Smilohound with bare hands, and haul the four tonne carcass home.
Read more in the Codex: Ngorrhal
VESSELBORN Original Music
Music by Juan Agustin Magariños
1:38
The first of three themes for the Thazvaar continent, set at the far edge of the coast in the inlet named for the pirate warlord Kharan Khatan. It carries the Gulf as it is now and the history underneath it.
Kharan Khatan was the most feared pirate warlord of pre-relay Geba, some eight thousand years ago in the Middle Dominion Age. When the Thazvaari Dominion drove the last pirate fleets toward extinction, his was the only plan that could delay the end, and they followed him into the inlet that now carries his name. He fortified it and held it long enough that the place became synonymous with him. There is no account of his death.
Thousands of years later the Gulf was the Dominion's last position in the Geban-Thazvaari War. King Hies held it through a siege that lasted decades until Emperor Venar'Tal Kareth ended it. Today it sits at the far edge of Coastal Thazvaar, and the Children of Kharan, the largest pirate confederation on Geba, still carry his name.
Read more in the Codex: Kharan Khatan